I hit the intersections where your shoulders meet your neck, passing through the car wrecks of ex-boyfriends who parallel parked on the dead ends. and I just hope your skin lends me an extra mile so I can slow down, take a while to admire the landscape, drape my arm over your being there. this time when it comes to your skin, I’m a drunk driver trying to walk a straight line.
I’ve been pulled over so much that your simple touch is enough to make me assume the position—wishing I could stay there, where your hand searches my body for contraband that could land me in the jail of your ribcage. Because road rage is a sickness and my medicine is your skin. I could spend the rest of my life circling the same block, wondering where does the world hide its private stock of people like you.
- Family breaks up. It leaves marks on three children, two of whom ruin themselves keeping a family together and a third who doesn’t.
- A young woman bill collector undertakes to collect a ruined man’s debts. They prove to be moral as well as financial.
- Story of a man trying to live down his crazy past and encountering it everywhere.
- Father teaches son to gamble on fixed machine; later the son unconsciously loses his girl on it.
- Girl and giraffe.
- Play about a whole lot of old people—terrible things happen to them and they don’t really care.
According to his friend and editor Edmund Wilson, Fitzgerald almost never followed through on these ideas or similar gems in his “brainstorming” note-books. Wilson blames this on the fact that the depth of thought and level of craft in the notebooks were too genuine and rich to be incorporated into the crap Fitzgerald was writing for magazines at that point in his career.
Words are better friends than people. Well, they last longer, anyway.
(via seafoamchild)