I wish there could be an exit-
interview for the end of a
relationship, where I could
take you to a little room in
the apartment we bought
together on a whim, where I
could ask what it was exactly
that made you fall out of
love with me, where we could
discuss, in detail, the things
we both could have improved
upon. Maybe I would tell you
about the guy who touched
my thigh in a bar once or that
my friends never really liked
you. Maybe you would finally
be able to tell me the truth:
that you’re tired of unclogging
my hair from the shower drain,
that I sing too loudly, that I
don’t cook enough of your
favorite foods. That love, for
you, is just a convenience,
an apartment to share rent
on, a warm bed to come home
to. That it seems to usually end
up as either a falling apart or
a falling together and it’s been
years since you’ve needed
stitches.
How do you find the words?
ASKED BY Anonymous
You just dig and dig and dig and dig until you get to what hurts.
We were not lovers, we were love.
— Jeanette Winterson,
Why Be Happy When You Could Be Normal? (via
weissewiese)
Ralph Fiennes and Julianne Moore, The End of the Affair (1999)
“Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?” — Maya Angelou
Smile. Shave your legs. Do your hair.
Smell nice. Dress appropriately. Don’t
be a slut. Don’t be a whore. Don’t be
crude. Don’t call him first. Let him pay
on the first date. Smile and look pretty.
Stand in that corner. Sit. Heel. Stay. Like
a fucking dog. Look both ways before
crossing the street. Carry pepper spray
in your bag. Please him. Tease him.
Smile. Let him stay even when you are
tired. His pleasure is more important
than yours. Wait to have sex until you
are married you stupid fucking slut.
Smile. You are supposed to be soft.
Supposed to be an object. Supposed
to be immune to the world’s quiet decay.
Supposed to be pretty pretty pretty and
sit with your legs closed and chew with
your mouth closed and close close close
yourself up because no one wants to see
the color of your insides. No one wants to
be responsible for the flood. Don’t be
such a bitch. Smile. When he hits you
do not hit him back. Wear concealer.
Smile. Convince yourself you love him,
that everyone makes mistakes. Smile.
Forgive him. Be afraid to be alone. Be
afraid to be left behind. Be afraid of the
knowing look on his face as he kisses
your bruises with chapped lips. Be afraid
of the truth. Smile. Be afraid of yourself.
to your boyfriend of two years,
you never touch him without
putting moisturizer on first.
They hang around, hitting on your friends
or else you never hear from them again.
They call when they’re drunk, or finally get sober,
they’re passing through town and want dinner,
they take your hand across the table, kiss you
when you come back from the bathroom.
They were your loves, your victims,
your good dogs or bad boys, and they’re over
you now. One writes a book in which a woman
who sounds suspiciously like you
is the first to be sadistically dismembered
by a serial killer. They’re getting married
and want you to be the first to know,
or they’ve been fired and need a loan,
their new girlfriend hates you,
they say they don’t miss you but show up
in your dreams, calling to you from the shoe boxes
where they’re buried in rows in your basement.
Some nights you find one floating into bed with you,
propped on an elbow, giving you a look
of fascination, a look that says I can’t believe
I’ve found you. It’s the same way
your current boyfriend gazed at you last night,
before he pulled the plug on the tiny white lights
above the bed, and moved against you in the dark
broken occasionally by the faint restless arcs
of headlights from the freeway’s passing trucks,
the big rigs that travel and travel,
hauling their loads between cities, warehouses,
following the familiar routes of their loneliness.
— Kim Addonizio, “Ex-Boyfriends”
1969 Moon Globe by Agent Gallery Chicago, issued to commemorate the lunar landing.
For Julie
That summer—not the first, but
hopefully one of many, was the
summer you grew into your body,
realized what love was and how
to keep it a secret. The trees,
though green and leafy, still
reminded you of flames. The
whole world was on fire the
summer you fell in love. There
are so many sweet memories
already. Him, shirtless, the curve
of his wholeness pale and full
beneath the waning, envious
moon. How he touches you like
you are sacred, like you are
precious water in a drought. You
want to count the seconds, minutes,
hours spent together, want to
write his name in permanent vapor
on the bathroom mirror after a
shower. It is summer: sticky, hot,
where you sweat even on the
backs of your knees, where you
go to sleep with the windows
thrown open. You want to tell
your mother how the thought of
him makes you feel flammable,
how your body leans into him
on the long walk home, how you
crawl into bed almost drunk
after he kisses you. How you start
small fires all over town just by
looking at each other. How every
time you begin to say his name
you swallow it back down like lighter
fluid. You know your mother,
know she would hide the matches if
she knew you burned like this.
His hands on you like weights, leaving
imprints on your body like your skin is
wet cement. You want to call him a million
things, name what cannot be named,
crawl inside of him and fold yourself
into his spine. Instead you cannot bring
yourself to call him the night after you
fuck each other fiercely in his bedroom
like animals, gnawing and pulling and
scraping against one another like the
cure to loneliness lives in the nucleus
of your cells. Instead, you put on a dress
that shimmers and makes you feel
naughty as it brushes against your thighs.
You meet dozens of boys at bars, chant
I love you I love you I love you and hope
one of them would say it back. No one
does. Instead you eat the image of him
reflected in the mirror above the sink
after a shower taken hastily together,
reeking of some floral and pepper scent
that your mother bought. You touch
your hips and feel him there, all dead
weight lonely. Above your navel, his
fingerprints.
The Lady Without Camelias, (1953)
For M
I could not look away the night you
pulled the long sleeve of your shirt
back from your wrist and sliced the
skin open. I couldn’t understand what
I was immediately seeing: a deep
cut and then a bloom of red and then
so much of it, an entire field. I wanted
to see inside of you, but not like this,
oh god, not like this, where you could
have been fashioned from velvet. Night
after night, over grainy Skype calls,
you’d take the blade to your skin and
cut in deep and hard, like you were
digging for something infinitely more
precious than gold. I scour the internet
for discounted plane tickets but I am
always drawn back to the ring of scars
leading up your arms and the wrists I
love so much. You fall in love with the
way your skin opens and closes. We
used to be a miracle. Will your skin
fall apart in my hands? If we were wild
things I would wear your skin and you
would wear mine. I hold my breath when
my screen shows me your face. You
are so far away. Each scar, meridian.